Art / Museums

Pina­ko­theken

Three Pinakotheken, a Glyptothek, a Brandhorst, a Lenbachhaus, an NS-Doku — the art quarter on Briennerstraße is one of the world's densest museum regions, with a chronological arc from antiquity to the present.

The Königsplatz

Leo von Klenze shaped the Königsplatz designed by Karl von Fischer according to his own ideas. Next to his Glyptothek, completed in 1830, he placed the Propyläen — a pseudo-Greek city gate at Munich's then western edge, corresponding to the Siegestor of his rival Friedrich von Gärtner. Instead of a museum as a city gate in the north, a gate as a museum in the west.

Königsplatz Munich in wintry black-and-white: a view along a tree-lined avenue towards the Propyläen, with the flank of the Glyptothek at the left edge.
Königsplatz Klenze · 1816–1862 · Propyläen axis

Opposite the Glyptothek, the State Collections of Classical Antiquities were later built. The Königsplatz was conceived as an ensemble from the start — until the National Socialists had it paved with granite slabs in 1937 and framed it with two "Temples of Honour" plus the administrative buildings of the NSDAP. Since the 1980s the square has been re-greened; the Nazi-era buildings partly still stand (today: University of Music and Performing Arts, music school, depots of the State Antiquities Collections).

The three Pinakotheken

Klenze built the Alte Pinakothek in 1826 — in the middle of an open meadow. It was to have a palace format and to house the growing Wittelsbach painting collection. Klenze experimented here with the effect of overhead lighting and set architectural standards for galleries worldwide. Today it houses European painting from the 13th to the 18th century: Dürer, Cranach, Titian, Rubens, Rembrandt, Velázquez.

Alte Pinakothek from a distance, seen through the wire mesh of a construction fence — the classicist façade blurring behind the verticals of the fence posts.
Alte Pinakothek Leo von Klenze · 1826–1836 · Barer Str. 27

The Neue Pinakothek has been complementing the collection with 19th-century works since 1853/2003. The Pinakothek der Moderne opened in 2002 on the site of the former Türkenkaserne barracks — uniting art, architecture, design and works on paper under one roof.

Brandhorst & Lenbachhaus

The Museum Brandhorst (2009) shows contemporary art with a focus on Cy Twombly, Andy Warhol, Damien Hirst — in a building of 36,000 coloured ceramic rods (Sauerbruch Hutton).

The Lenbachhaus — the former villa of the "painter prince" Franz von Lenbach — preserves the world's most important collection of the Blaue Reiter, with works by Kandinsky, Münter, Marc, Macke, Jawlensky, Klee. The new building by Foster + Partners (2013) supplements the historic villa with the Kunstbau (in the Königsplatz U-Bahn station).

Eine Stadt machen,
die Deutschland
zur Ehre gereichen
soll.
König Ludwig I. von Bayern · 1825